Call for Subjects: Only a few days left to Submit!

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In a recent blog post, I shared that I’m opening up the 2011 “Technicolor Muslimah” series.
I am seeking volunteers who self-identify as American Muslim women, with or without hijab (and anywhere in between), who can help make this project more diverse.  Please read the original “Call for Subjects” for more of what I mean. 
 
To Submit, please send:

1. A selfie (a picture of you!):
– high quality (It’s difficult to paint from blurry or low-res pictures)
– head and shoulders only (or can be cropped)
– BIG PERSONALITY!  I’m looking for images that are more communicative than just “looking at the camera and smiling,” whether through use of props or through expression. 

2. A brief description of how you feel you could make this series more diverse.

Send to artbysaba@yahoo.com or facebook.com/artbysaba by MAY 1st!!  I will choose a few that will become paintings in the first couple of weeks of May.

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Inner Sun

I’m REALLY excited about this newest painting.  The making of this painting was very new to me… Using the Sketchbook app on iPad, I was able to take the level of design on this to a much higher level.  Not only am I thrilled with the experience and finished product of this painting, but I can see all sorts of possibilities for future work.  Which is invigorating.

“Maria (Inner Sun)” is 20″ x 60,” in acrylic paint, gold leaf, and glass beads (the liquitex medium)

BEFORE PAINTING:
I photographed this subject, Maria, almost a year ago.  She is actually doing zumba outdoors, but I cropped her body out of it.  Maria has an amazing personal story, and clearly, a beautiful smile.  In the complete photograph, Maria’s arms are outstretched, and the worm’s eye view shows the bright blue sky over her head.  Her body language, the smile on her face, her outstretched arms, and the vastness of the sky create an overwhelming feeling of freedom, openness, and connectedness with this great big world.  To translate this feeling into her painting was challenging… (which is why it has been so long since I photographed her!)  I fussed with this composition for a long time and scrapped a lot of ideas before I finally came up with the right imagery for her.

I created the design around Maria using the Sketchbook app.  I was able to draw freehand using a stylus, but as I drew, the app created a mirror image of every single element – perfect bilateral symmetry.  And then I was also able to reflect the bottom and top half of the image using the layering options.  This might be total child’s play compared to Photoshop, but I love that I am still drawing while using it.  I was able to edit the crap out of the design with relative ease.

PROCESS:
Basically I taped off the canvas and painted the shades of blue, the white and yellow beams, first.  Then I projected the design on top, and drew it on with white charcoal so I wouldn’t get pencil marks in the paint.  Then I painted the design in gold, then glued the gold leaf on top of that.  I painted Maria after I had finished the whole design.  The top of the painting – the pink/red… is covered in glass beads and comes off of the canvas about a 1/4.”  There was a lot of tedious fixing of edges and patching of gold leaf. Overall I spent a lot of time drafting this image and designing it, and actually making the painting was a super efficient process as a result.

Now the coolest thing about this painting, is that as I worked, the design got more and more and more complex.  I reversed positive and negative areas, I wove the white line through the gold leafed shapes…  I am just so excited about this experience, this whole new way of making art.  I would never dream of doing anything like this with pencil and paper.  Hoorayyyy technology!

I always worry about how to move forward, to get better, to challenge myself…  and I think that this emphasis on designs is where it’s at.  It is such a neat thing, to try to communicate meaning in these flat forms.  To make it all feel like something.  To draw it by hand.  It is like speaking a new language.  Suddenly I saw it everywhere – rugs, people’s clothes (I was particularly inspired by Jennifer Lopez’s dress at the Oscars?), my shower curtain…

The straight lines and geometric shapes on one layer, with organic lines curling over them in gold…It is this conversation between hard and soft, masculine and feminine.  They are separate elements, but they communicate with each other and effect each other.  Clearly I’m obsessed with all this.  And that’s the dragon that I am chasing when searching for inspiration… I can’t just be interested in it, I need to be obsessed.

SYMBOLISM:
The symbolism in this painting is not quite as straightforward as what I often do.  I have an enormous painting that I want to do next that is going to be exploding with pretty literal symbolic imagery (plus a whole bunch of organic and geometric designs).  But that’s later.

For now, look through the gallery for pictures of process and completed painting.  I have an excessive amount of pictures because it looks so cool from different angles.  The different shades of blue didn’t show up much in the final photographs for some reason… but it’s visible in other pictures.